Cocoze Photo Shoot & Interview : Eco Shoes

I love working with sustainable brands, creating beautiful images to help promote inspired and cutting edge products.  It’s important to me to see these positive grass-roots businesses prosper.  I recently had the pleasure of photographing for Cocoze Shoes, a fantastic new Canadian company making eco shoes from coconut fiber and natural rubber: an alternative to the highly disposable synthetic thong that we Australian’s love to wear.

 

Below  is a quick Q&A with Wayne Seto, Managing Partner at Cocoze Shoes.

 

What are the best 3 things about Cocoze Shoes?
There are so many good things about Cocoze Shoes that choosing only 3 things was difficult.  So I consulted the founder of Cocoze, Pierre Thomson, for his input.  In the end we both agreed upon the following, if it had to be only 3:
1) Our shoes at Cocoze naturally and gently exfoliate the soles of your feet, making your feet soft, healthy and beautiful.
2) Coconut fiber (coir) used to make our shoes is 100% natural, sustainable and biodegradable.  Thus good for people and good for the planet.
3) Cocoze Shoes are all hand made in Thailand in a small eco-friendly factory.  No chemicals, dyes or toxins are used in our production. Also, excess materials and trimmings are recycled resulting in a zero waste production process.

 

Where did you come up with the idea?
To be honest, the idea for a coconut fiber shoe happened purely by accident.  The idea was born in the backwoods wilderness of Nelson, British Columbia (Canada). Pierre (company founder) was living there about 3 years ago and was using coconut fiber as a growing medium for his home garden. Coconut fiber is used in the agricultural sector for its natural qualities such as being antibacterial, antifungal and having a neutral ph level. Also, coconut fiber has a natural rooting hormone that helps build soil and helps your garden grow.  During this time, Pierre got very interested in working with coconut fiber and started making other things with the fiber such as coffee cup sleeves, dish scrubbies and bath mats. One day, he happened to be standing bare feet on a sheet of coconut fiber and liked the way it felt. Cocoze Shoes was born from that very moment!  Like I said, the invention of the coconut fiber shoe was a bit of luck crossing over with a bit of inspiration at the right time.

 

Why is being environmentally sustainable important?
Everyone on this planet is a consumer of some sort in their daily lives.  While developing our shoes over the last 2-3 years, we’ve come to see that all our actions have an impact on nature and the world around us.  Natural resources are often finite and/or limited.  Working with coconut fiber had us look at the concept of waste in a much different way.  Much of the coconut fiber in source countries of Southeast Asia consider coconut fiber to be a waste product and is generally disposed of or burned (up to 75%).  Much of the world finds value in the coconut on the inside with the coconut water, milk and meat not realizing there is also great value in its rough exterior.  With the world’s resources often being finite, we’ve taken the mindset with our shoes of turning “waste to worth”.  We feel we have created the world’s most natural and eco-friendly sandal from a completely sustainable fiber.

 

Where can people find Cocoze shoes?
Currently, Cocoze Shoes are only available online at www.cocoze.com.  However, we are preparing to launch a crowd funding campaign via www.kickstarter.com to manufacture a 100% natural and biodegradable shoe/sandal using materials such as Hemp and Flax for the tops.  We are very excited about this and anyone can follow us on Facebook, Twitter, Instagram and Pinterest for updates as to the date of the live launch.

 

Posted in Eco Photography, Ethical Photography Tagged , , , , , , , , , , , , , , , , , , , , , |

Carlie Ballard : Ethical Fashion Photo Shoot

Photo Shoot for Sustainable Fashion Label Carlie Ballard

 

Carlie Ballard is an inspiring, big-hearted lady who I have now had the pleasure of working with twice.  Her self titled fashion label harnesses the creative talents of artisans in developing countries, and fuses these with beautiful designs to create contemporary garments for the modern day wardrobe.

With a strong philosophy of mixing sustainable fabrics (including hand woven fabrics and organic cotton), fair labour practices and traditional techniques, Carlie Ballard creates garments with longevity and a touch of culture for the adventurer and dreamer in all of us.  The clothing is made in a small workshop in India, offering the dignity of employment, fair pay and excellent working conditions to a talented group of artisans. All of the profits from the workshop are dedicated to growing its capacity to employ, train and support the families of the women it has been established to assist.

Carlie is also a founding member of Clean Cut Fashion, a collective of sustainable fashion advocates, and is the curator of online store Indigo Bazaar,  a carefully curated selection of cutting edge brands from around the world which are at the forefront of the sustainability movement.

Below are images from my recent campaign shoot for Carlie Ballard, with Model, Olivia Pranic from Debut Management, and Hair & Make up by Michelle Mae.

 

Follow me on Instagram to keep up to date with my latest fashion photographs @AliciaFoxPhotography

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Caribbean Panama Portraits

Travel is like an intensified version of normal life.  We take ourselves out of our comfort zone to situations where the ups are higher and the downs take us deeper than we have ever been.  This is why we often return from travelling feeling like a new person:  so much more experienced, wiser and even enlightened.

 

After a year or so travelling through South America, I’d been confronted by many lows (and many more highs, thankfully).  One thing that irritated me was how long things took.  I’m pretty chilled out and enjoy taking my time, but on Latin American time things can be excruciatingly slow.  The border crossing from Colombia to Panama is one example of this.  The whole process of travelling by boat from port towns to port towns took days.  I understand that authorities in this Darien Gap region are wise to watch their ports for drug smugglers, but anyone who has spoken to locals knows that the authorities are aware of the traffickers and allow certain offenders to slip through the cracks.

 

On arriving to Panama, at the tiny village of Puerto Obaldia, the immigration officer sitting inside his sweltering hot cement block informed us that for no particular reason, it would take 4 hours to process our papers.  I decided to get my Taoist on and make the most of the situation.  A little girl sat outside the office.  She was the officer’s daughter.  We started chatting and soon two of her friends came to join us.  I gave them stickers and showed them through my Panama guide book – they were fascinated to see photos of their country, places they never knew existed.  They were adorable and I absolutely had to take their photographs.  They loved being in front of the camera and hours later when I needed a break, they didn’t want to stop posing for the camera.

 

I entered some photos of my amigas into a Unicef Panama photo competition.  I was one of the winners and was so happy to see my photo, captured thanks to a slow immigration officer, blown up in an exhibition in Panama City, helping raise awareness of children’s issues.

See behind the scenes photos on my Pinterest page

www.pinterest.com/aliciafoxphotog/photo-shoot-behind-the-scenes/

Posted in Central America, Humanitarian Photography, NGO photography, portrait, Travel Photography, Volunteering Latin America Tagged , , , , , , , , , , , , , , , , , , , , |

Indigo Bazaar Shoot – Ethical Fashion Photography

Indigo Bazaar is an ethical fashion company providing beautiful clothing that is made in a way that is good for the environment and for the garment workers and artisans who are part of the production.  As consumers become more aware of the dangerous and unfair working conditions involved with fast fashion, entrepreneurs like Carlie Ballard, founder of Indigo Bazaar, are providing alternatives for those of us who want to know that our clothing comes with good karma.

 

I photographed these natural portraits of Carlie wearing Indigo Bazaar, for her promotions and online profiles.  It was a wonderfully fun afternoon with Carlie and Make up Artist Emily, from LittleFox Makeup Artistry.  

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Posted in Eco Photography, Ethical Photography, Fashion, portrait Tagged , , , , , , , , , , , , , , , , |

Tea Photography

After water, tea is the most widely consumed beverage in the world.  My love for tea began on the beaches of Sri Lanka where I drank sweet, milky black tea because it was easier to come by than clean drinking water.  Living in Japan, I gained a deep respect for green tea and sacred Japanese tea traditions.  In Latin America, I learned about the medicinal benefits of an endless variety of herbal infusions.

I have a thing for tea.  Half of my kitchen shelves are allocated to food, the other half to teas and herbal “tea” blends.  I appreciate the variety of textures, tastes, colours and aromas, as well as the healing effects of each different blend.  So you can imagine how much fun I had photographing these images.  All blends were lovingly created  by Amber at T Totaler.

 

“Tea” includes black, green and white tea from the (Camellia sinensis) plant.  

“Herbal infusions” are beverages that are prepared by adding herbs to hot water, usually between 70-100 degrees celsius.  

Posted in Eco Photography, Ethical Photography, Wellness Photographer Tagged , , , , , , , , , , , , , , , , , , , , , , , , |

The Urban Ecoist Post #1: Food

Just because you live in Inner City Sydney, doesn’t mean you can’t live out your eco homesteading dreams.  I do my best to be as green as possible in every aspect of my life, from growing my own organic vegetables to living in a chemical free home.  I do what is best for our environment, which includes what is best for my own health.  After all, we humans are part of the eco system too.

The Kitchen

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1. Each Sunday I walk down to Addison Road Markets in Marrickille, to buy my chemical-free fruit and veges (my own garden is only 2 months old so just produces salad greens so far). I talk to the stall owners to find out about that week’s produce. The delicious, gluten free bread is freshly made by the lovely folks at Common Ground, a commune not far from Sydney.

2. My first crop of (giant) home grown mushrooms. They were the sweetest mushrooms I’ve ever eaten.

3. My seeds, nuts and dried foods come from Alfalfa House Co-op (Enmore), my favourite place to shop. The stock is as organic, local and ethically produced as possible.  I love the co-op so much that I volunteer there every week, helping out wherever necessary. I take my own jars and recycled paper bags to eliminate waste. I rarely go to a supermarket, because the amount of packaging of supermarket products is something I won’t support. Additionally, nearly anything in a packet contains harmful additives and preservatives.

 

 The Garden

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Above

1 & 2.  Making seedling pots out of recycled newspaper, with Pot Makers

3 & 4.  Planting organic seeds in the morning sunshine

5.  James’s hardworking hands contrasting with the smoothness of a cherry tomato (featuring one of nature’s perfect patterns/sacred geometry)

I would love to hear your stories and tips for organic living.  Please contact me on any of my social networks.  I’m enjoying being part of the rapidly growing network of likeminded people – both locally in globally.

Posted in Eco Photography, Ethical Photography, Wellness Photographer Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Why be an “Eco Photographer”?

Being an Eco Photographer means reducing the environmental impact of every aspect of my business, and working with (i.e. producing photos for) clients that have a positive impact on the environment.  

 

I was trying to formulate an explanation as to why I’ve decided to be an “Eco Photographer” and what this actually means.  Then one day three things happened to me and I became so impassioned that I did what anyone would do… I got on my soapbox (i.e. my personal Facebook wall) and shared what I was feeling with my friends and family.  I received such an overwhelmingly supportive response that I decided to include my little story on this blog.  It gives you an idea of how I live my personal life, which crosses over into my business life.  So here it is:

 

I don’t often put unhappy things on Facebook but I feel the need to share this today  It has 3 parts, and hopefully is inspiring:
1. James came home and told me, with a smile, that he had a song stuck in his head all day, the song of some beautiful girls from the Ashaninka tribe we stayed with by Ene River, in the Amazon. Translated, the chorus goes: “Ene River, please take care of me”.
2. At my exhibition of Amazon photos on the weekend, a man came up to me and said, “Did you hear about the Amazonian tribe that can’t drink their water because the oil company poisoned it?”. I said, “Things like that happen all the time in the Amazon… It’s unbelievable!”
3. I went for a walk at lunch (in Sydney) and a man was blowing leaves around the road with a petrol powered leaf blower. He wasn’t actually moving the leaves anywhere in particular, just wasting petrol.I am as much to blame as anyone else for the poisoned water that is making my friends in the Amazon sick. We all use the oil that is being drilled, which is killing the fish, the animals and sometimes the children. Every day I will do what I can to stop supporting the companies that knowingly let this happen. I have given up plastic almost completely, I walk/ride nearly everywhere I go and I try my best in every other way to reduce plastic and petrol consumption. Sorry to be grim, but I just wanted to share this because most people that I talk to about what happens in the Amazon, have no idea. It’s not widely publicised.The good news is that every one of us can make a positive difference. Every time you spend money you endorse what that company is doing…so spend wisely xx  That’s all. Good night

 

(If you would like to hear the beautiful song about Ene River, it begins at 44 seconds in this movie)
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5 Tips For Being A More Eco Human/Photographer

1. Support local, small businesses.  This gives you a chance to meet the people whose company you are supporting, and find out how the products are made/grown.  Because it’s local you can walk there (or use less petrol to arrive there).
2.  Furnish your house/studio with recycled or upcycled  furniture.  It’s quite amazing what you can pick up at the op shop or market – people throw away some beautiful things.  In a place like Sydney or Melbourne it’s easy to find almost anything you need on the street side.  Each day I walk by anything from wide screen TVs to vintage furniture.
3.  Use chemical-free cleaning products.  With a few simple ingredients (bicarb soda, vinegar and eucalyptus oil) you can cover almost all of your cleaning needs.  Using these natural alternatives is also much better for your health.
4.  Go paper-free.  You can do almost everything online these days.
5.  Use a renewable energy plan or solar power.  

Posted in Eco Photography, Eco Tips, Ethical Photography, Humanitarian Photography, NGO photography, Peru, Photography Tips, portrait, South America Photos, Travel Photography, Volunteering Latin America, Wellness Photographer Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

My Amazon Portraits Featured

My photos and I are being featured on fivepointfive.org and I think you should check it out, here.  You’ll gain an insight into my project Portraits of The Disappearing Amazon, a 3 month journey which will changed my life.  You can also get the background story on some of my favourite portraits from the project, and the beautiful people within them.

 

Five Point Five is about inspiring you to do those things that you will remember with satisfaction for the rest of your life.  They are all about travel, lifestyle and making a positive difference in the world – 3 things that are really important to me too.  The website offers information and mini documentaries on volunteering overseas, as well as travel resources and inspiration.  So go get inspired…

 

Portraits of the Disappearing Amazon by Alicia Fox

by Alicia Fox Photography

by Alicia Fox Photography

Posted in Central America, Humanitarian Photography, NGO photography, Peru, portrait, South America Photos, Travel Photography, Volunteering Latin America Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Surbala Fashion Shoot

Surbala is a resort wear label founded by Neha, a charming fashion designer from India.  Neha sources artisans from her home country, who handmake Surbala’s collections, employing traditional Indian techniques.  When I first met Neha to plan our fashion shoot, I could instantly see the great passion she has for her work, and through talking with her, it was obvious that she goes to great lengths to ensure that each Surbala piece is made with love and care.
I appreciate the way she works so much that I asked Neha to share a bit about Surbala, with my blog readers.
Sydney-Fashion-Photographer

Me: What does “Surbala” mean?

Neha: I came across the word Surbala when as a student, I first read acclaimed Indian poet Shri Makhan Lal Chaturvedi’s famous Hindi poem “Pushp ki Abhilasha“ (means the aspirations of a flower).  He mentions the word Surbala that refers to a beautiful woman.

In Hindi, technically SUR means a musical note & BALA means a young woman. The word Surbala stuck by me for a long time. And when I was thinking of naming my clothing label, I couldn’t think of more suitable name as I see my clients as beautiful and perfect ladies.

 

Me:  How do you choose and source your fabrics?

Neha:  Once I have researched and finalized the color palette & silhouettes for the next season, I plan a sourcing trip for 1-2 months where I source fabrics and develop the prints/textures/embroidery from scratch.

It’s a continuous process, taking anywhere from 15-25 days in developing a swatch of embroidery or a new pattern and creating it into a style.

Intrinsically I love traditional Indian textiles techniques and hand-woven fabrics, and I always try to support the artisans by incorporating beautiful handmade crafts in my collection.

 

Me:  Tell us about the artisans who make the fabrics & garments.

Neha:  Surbala tries to amalgamate traditional textiles from India eg. handmade fabrics like Handloom silks, chanderis etc and traditional printing techniques like Hand tie & Dye, Batik, Shibori, hand beading, applique, hand block printing from Rajasthan, Kantha etc along with modern printing  technique like digital prints etc. We source our artisans through organizations like DASTKAR which provide a platform for willing designers and businesses to meet and connect with talented artisans from all over India. (http://www.dastkar.org/organisationalmap.htm)

 

Me:  How are Surbala’s fabrics made?

Neha:  Base fabrics like cotton, laces etc. are sourced and then printing techniques or embroidery techniques are applied (hand block printing, hand beading, applique etc.). Many traditional techniques like DABU (resist hand block printing technique from Rajasthan) use natural dyes for printing. For my S/S 13 14 collection I have developed a range of hand-woven Chanderi (made of silk & cotton thread in warp & weft) kaftans.

 

Me:  What makes Surbala different from other brands?

Neha:  Surbala appeals to a target market of sensitive shoppers who appreciate the ethereal quality of handmade textiles.

We also try to give most affordable prices possible to our customer in Resortwear category as compared to our competitors.  We are currently working on an online format and cut down on the huge costs of rent etc. and hence can pass on the benefit to the customers & eventually pass it on the our artisans as well which makes each Surbala piece truly handmade with love!!!

 

Thanks Neha xx

 

www.surbala.com.au

https://www.facebook.com/SurbalaCaftans

http://www.youngrepublic.com/designer/surbala.html

Posted in Fashion, portrait, resort photography Tagged , , , , , , , , , , , , , , , , , |

Story of an NGO Photographer – An Excerpt From My Book

Working as an NGO photographer and documenting the work of not-for-profit organisations that are improving people’s lives, inspires me endlessly.  More than anything, it brings a sense of hope.  I have witnessed so many seemingly hopeless situations turned upside down, resulting in thriving human beings and optimistic communities, all thanks to the committed work of everyday people .  These people show me that any one of us can be a hero, a lifesaver, even an angel.

I’d like to share with you an excerpt from a book I am writing, about my three year journey through Latin America.  This passage describes an experience I had in Nicaragua, while working with the amazing grass roots organisation, Empowerment International.  The organisation was formed by an extraordinary North American woman Kathy, who couldn’t walk away from a community in need, so she moved to Nicaragua to work day and night to change their situation.

I volunteered with Empowerment, teaching photography classes to the children and creating a photo documentary of their projects.

 

On my first day volunteering with Empowerment, Anielka led me into the barrio of Villa de Esperanza, one of the poorest neighborhoods in Granada.  Many of the families there were surviving on less than two dollars a day, and the desperation was blatant.  The barrio was a single dirt street, deeply corroded by rain and grey water. 

As we walked, Anielka asked a young mother what she was up to, and the girl replied, “Cooking and cleaning, like always”.  Her shack was one tiny room surrounded by a small dirt yard.  I could see that even in the poorest areas of Nicaragua people are obsessive about hygiene and appearance.  Most people’s blocks of land were smaller than my parent’s barbeque patio, and majority of that land wasn’t even officially owned. 

The homes were even more piteous than those I’d visited with Opportunity International (another NGO I’d volunteered with), constructed of scraps of wood, metal, and cardboard.  The people we passed seemed fairly happy, but when Anielka stopped to talk, each person weighed her down with their worries.  None of the four women we were scheduled to visit was home.  The neighbours of each told us the women were busy dealing with some problem that had just arisen, involving either their children or abusive husband. 

We stopped outside a well-built wooden shack to talk to a girl bouncing a baby boy on her knee.  I guessed that it was her brother.  I was wrong.  She was older than she appeared, at eighteen years old, and her first child was born four years earlier.  The next home we stopped at was of a woman, about my age (of 28), who had nine kids.  She wasn’t sure if she wanted more.  On our way out of the barrio two pretty teenager girls with babies greeted Anielka and she introduced us.  The mothers smiled proudly as they talked about their babies, one of them giggled coyly behind her hand when she told me she had her first baby at thirteen. 

As life in the barrio presents the girls with little opportunity or hope, being mothers seems to be the best and often the only thing to which they can aspire.  Intoxicated with romance, they often fall pregnant in the hope that a baby will enkindle a commitment from their equally young boyfriend, even as they see families fall apart around them every day.  In Nicaragua the infamous Latino Machismo dictates that a manly man can get all the girls he wants and getting girls pregnant proves that he is a real man.  If your girl isn’t pregnant, there’s something wrong with you. 

If things continued on the same course, by the time the thirteen and fourteen year old mothers were my age they would be grandmothers.  With no jobs other than selling wild fruit for a few dollars a week, they would continue to live in overcrowded houses and perpetuate another generation of poverty, with a rapidly increasing number of sufferers. 

It was evident to me how important the work of Empowerment was to this community.  Poverty isn’t just about missing out on comforts and pleasures: it spawns powerlessness, breads domestic abuse and leads desperate people to criminality.  Through education, the cycle of poverty can be broken in a single generation, but you don’t just have to convince the children to go to school.  The hardest part can be convincing parents how important it is to allow the children to stop working in order to learn. 

Kathy looked heartbroken as she told me the story of one of her most successful student’s struggle.  With the support of Empowerment, the girl had completed primary school and high school.  Her mother was uneducated and became jealous of her daughter’s success.  The woman felt worthless in comparison and accused her daughter of thinking her mother wasn’t good enough and that was the reason she wanted a different, better life, and she expressed her feelings through abuse towards her daughter.  At times the abuse got so bad that the girl had to stay in the Empowerment office, where Kathy kept a bedroom for students from rural areas to sleep. 

The Empowerment staff spent time communicating with the mother about the importance of education and how it could make life better for the whole family.  Eventually she came to understand and the girl returned home, continuing on to University education.  It was one of the many struggles that I would hear about during my two weeks with Empowerment.  I was overwhelmed with the change that was happening everyday in the village, thanks to one human being’s commitment to help others. 

The following day there were three police cars blocking the muddy street into the barrio.  Heavily armed officers concealed by balaclavas scrutinized the home where four Empowerment kids lived.  Anielka explained to me that they were narcotics officers, and they wore balaclavas to hide their identities from criminals.  I followed her closely, not sure if I was allowed to watch the commotion and nervous that we might be about to get caught in the middle of shootout.  

It was all the barrio women could talk about that day.  Our home visits were enlivened with gossip amongst the mothers who were all relieved that the cops had finally busted the drug dealers.  Each one assured us that they didn’t inform the police, and that it could have been anyone because everybody knew those people were dealing.  They told us that buyers would turn up at all hours looking for the house where you could buy cocaine and marijuana.  The mothers hated their children being around that kind of activity.  The community was safer now, but Anielka was worried about what would happen to the kids now that their parents would be going to jail. 

Drugs were a big risk for kids in the barrio.  Cocaine was available on their doorstep for $1, money which they might steal or earn by selling fruit or sweets.  Glue was also easy to get and Anielka knew kids who were addicted to sniffing.  In that environment even the most promising kids were at risk.  Some of Empowerment’s most successful students were suffering anxiety and depression. 

When we returned to headquarters after the home visits, Kathy invited me into her office to talk about our plan for the rest of the week.  She looked worn out.  Two teenage girls were in the room sobbing.  They both had bandages around their wrists and were cradling each other.  I sat down in the spare chair and looked at Kathy, unsure what to do or say.   She told me in English what had happened, that the girls had slit each other’s wrists.  My heart broke at their desperate cry for help.  For Kathy, it was just another day. 

 

 

Anielka during one of our home visits in the barrio

 

A young mother

 

Posted in Central America, Humanitarian Photography, NGO photography, Nicaragua, portrait, Travel Photography, Volunteering Latin America Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

Hair Photo Shoot

I’m excited to put up these new photos from a recent hair shoot, with styling by KDelme Hairdressing.

 

Two weeks ago I was apartment hunting around Sydney.  As soon as I entered one in Petersham, I knew I had to have it, with this shoot in mind.  The wooden floorboards, ornate doorways and blank walls would make a perfect backdrop.

A week later the apartment was mine and I was doing this hair shoot with a really fun group of ladies.  We had a ball!!

 

Photography & Styling: Alicia Fox

Hair:  Kaarina Hamilton and Helen Billingham

Make Up: Alysha Maree

Models:  Stephanie Wicks and Elissa Laforce

Flower Crowns:  Bella Rowz

Clothing:  Surbala

Posted in Fashion, portrait Tagged , , , , , , , , , , , , , , , , , , , , , , , |

Sydney Photographer – New In Town

After 4 years on the road (travelling through Japan and North, Central and South America) I have returned to Australia and decided to keep the adventures rolling by setting up in a brand new city.

Sydney is my new home and I’m so excited about the opportunities ahead.  My photography will still be centred around bohemian fashion, portraiture and humanitarian photography, and I am specialising in photographing for brands of a sustainable and ethical nature.

I’m enjoying networking with the other Sydney creatives, and inspiring each other’s ideas for photographic projects.  I’m also enjoying the lifestyle opportunities available here – yoga, dance, art, sub-cultures, and the fantastic organic markets that I’ve discovered in the Inner West.  www.organicfoodmarkets.com.au

 

Shopping at the organic markets

 

I’d love to hear from anyone who is looking for a Sydney based photographer for an upcoming photography project.  Please feel free to contact me and I’ll get straight back to you to.  Enjoy the beautiful weather!

Posted in Fashion, Humanitarian Photography, NGO photography Tagged , , , , , , , , , , , |

Thanks For Your Support

It’s time to give another shout out to all the wonderful people who helped make my Amazon photo project dream come true.

In June 2012 I launched a crowdfunding campaign on Pozible.com to invite supporters to be part of my photo project to create Portraits of the Disappearing Amazon.  The response was overwhelming and as a result I was able to spend two months visiting and photographing ten different tribes in the Amazon of Peru, an amazing experience which I will never forget.

This week I’m posting out the final  Thank Yous to supporters of the project, including prints of the portraits I created in the jungle.  I’m so looking forward to getting my hands on the Photo Books that I’ve had published as gifts for the major supporters, which are in the post to me right now.  I can’t wait to hand them over in the next few days.

 

Muchisima Gracias Amigos!

 

If you would like to see photographs from the project, please go to my New Work Folio on my website.

Posted in Humanitarian Photography, Peru, South America Photos, Travel Photography, Volunteering Latin America Tagged , , , , , , , , , , , , , , , , , , , , , , |

Portraits of The Disappearing Amazon

 

Dreams are worth chasing.

 

It was June 2012.  I had a dream to travel into the depths of the Amazon and photograph tribes that I’d heard may disappear within my lifetime.  If I didn’t follow my dream, perhaps no one would capture images of these people, whose cultures had fascinated me since I was a little girl.  Perhaps no one would create a visual memory of their traditional way of life for the future generations to remember and appreciate.

 

I had no contacts and no leads, but something within me told me I could do it, and that I had to do it.  I committed myself to the project and spent the following 2 months exploring the Amazon of Peru in search of tribes to photograph in their traditional dress to create a visual documentation of how life looks, or looked, for peoples whose traditional way of life is being slowly, or in many cases, rapidly forgotten.

 

I hope to return to the Amazon soon to continue encountering and photographing the vast and diverse tribal cultures that live within the mysterious jungle.  This project turned out to be one of the most amazing experiences of my life.  Dreams are worth chasing.

 

Here is a tiny sample of the mountain of photographs I was fortunate to capture during my adventures.  I hope you enjoy them.  There are more on the way.

 

This elder woman from the Matses tribe is one of the last in her village to continue wearing facial piercings, a practice which she began as a young lady. The adornments originate from local palm trees, and the ink of her tattoo is made from the huito plant.

 

The feet of a Yagua elder. He has never worn shoes.

 

A young boy from the Bora tribe adorned with his tribe’s traditional face paint. In his village, traditional dress and body painting is now only worn on special occasions and for tourism.

 

This young Ashaninka girl lives deep within the Amazon. My camera may have been the first she ever saw. Her nose is pierced with cotton thread, with a jewel hanging. All women in the village paint their faces each morning, with red paint from the achote plant, in patterns which reflect the previous night dreams, their mood or simply to look beautiful.

 

Here are the first two behind the scenes videos shot by my assistant/partner James.  Check back here for additional videos in the coming months.

 

 

To see more of my humanitarian photographs and travel photographs, please visit www.AliciaFoxPhotography.com.  Thanks for visiting!

 

 

 

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Las Cubanitas – Our Article in Surfgirl Magazine (UK)

This March, James and I met with Cuba’s female surfing population, all two of them.

Lorena is the only female bodyboarder in Cuba and Yaya is the only female stand-up surfer.  These passionate women inspired us to write their story about what it’s like to live and surf in a country where educated people live off government rations, surf shops don’t exist and waves go unexplored because people don’t have cars or gas to get to them.

Here’s the article from this months Surfgirl Magazine, available in The UK and Europe.

 

 

 


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